08. 1987-1988: TOURING AND SUCCESS

We thought about the ramifications, but each member of Aerosmith is responsible for his own sobriety. I hope maybe some of Aerosmith rubs off on Guns N’ Roses.

Our request was that, if they’re drinking, keep in it a cup rather than walking around with the labels sticking out.

The night before a show I was talking to a crew member from Aerosmith, and he told me that he saw Joe Perry and Slash talking at a table. Joe was drinking tea or coffee or something out of a cup, and Slash was drinking his Jack— but out of a cup. I laughed. I thought I’d never see Slash drink anything out of a cup!

At that very first show in Chicago, there was a reticence initially on the part of the crews and some of the guys in Guns. Axl had exhibited reservations, and he always does, but unfortunately, they're misread by people. It's not that he’s saying, 'Hey, f?!k you.’ It’s more of an indication of whatever his habits are that cause him to get up late. He’s a unique character—part of what makes him the star is that.

We would invite the band and their crew to eat with us after the show, kind of like family. And really early on that came across. There was a very strong sense of, ‘We may be two acts and two separate companies, but we’re all out together, and this is one show.

On July 23, nine months on from our last meeting, I joined the band on tour in Dallas, Texas, where they were supporting Aerosmith. At last, that dream double-bill was a reality, albeit in America and not poor old Britain. I was writing a cover story for Sounds to coincide with GN’R’s forthcoming appearance at the Monsters Of Rock festival at Donington Park on August 30.

The band was staying at the Four Seasons hotel, a luxurious, five-star palace with its own private golf course. I found Izzy and tour manager Doug Goldstein in the bar, taking refuge from the 100-degree late-afternoon heat. Goldstein was grumbling about having his early morning round of golf disrupted by Steven and Duff, who had commandeered two golf buggies for a race across the course. “They looked like the fucking Banana Splits!” Goldstein hissed.

Izzy asked me for my room number so that we could arrange a time for an interview, and was shocked when I told him I was booked into a different hotel, a cheap one, a few miles away. He cursed the record company and said he’d pay for me to have a room at the Four Seasons. I said not to worry, but it was a nice gesture. Izzy was often portrayed as a surly character, when in reality he was simply more introverted than the others.

I asked Goldstein when I could speak with Axl. Goldstein wasn’t sure. He told me Axl was “resting”.

That night, Izzy took his English girlfriend Emma to see a Rod Stewart show at the venue where Guns and Aerosmith would play the following night: the Starplex, a 20,000-capacity outdoor amphitheatre. “It was very relaxing,” he told me the next day, “like a Quaalude.” Everybody else went to a rock club to celebrate Slash’s 23rd birthday: everyone, that is, apart from Axl, who hadn’t been seen by any of his bandmates since they arrived in Dallas. Was he sick? Goldstein said no. Would he do an interview with me? “Tomorrow,” Goldstein said.

Inside the club a roped-off VIP area had been set aside for the band and its entourage, 20 or 30 people, including various groupies and hangers-on. I had a long, drunken conversation with Steven Adler and Megadeth bassist Dave ‘Jr.’ Ellefson that ended when Adler dragged a girl off to the men’s room. He and many others were in and out of there all night.

In the early hours we returned to the Four Seasons, where Duff invited photographer Ian Tilton and I to his room. Duff had recently married an aspiring musician named Mandy Brix, and was feeling a little lonely. He poured out three tumblers of vodka and added in just enough orange juice to turn the mixture slightly cloudy. Then the phone rang. It was Slash, telling us to come to his room. We took our drinks with us. Moments later Slash opened his door, shit-faced drunk and naked save for a towel wrapped around his waist. He waved us inside, where a girl lay in his bed, completely starkers. “Thanks for coming, guys!” she sneered. Even Duff didn’t know where to look. We got out of there as fast as we could… after Ian had taken some pictures of the happy couple.

We were back at the Four Seasons the following afternoon to ride out to the venue with the band. We sat on the tour bus for a few minutes – I asked if we were waiting for Axl. Izzy shook his head. Axl, he said, would be along later. The atmosphere on the bus was subdued; everyone was pretty hungover. But the mood lifted at sound-check. They played around with a couple of old Stones songs, and Duff – wearing shorts and cowboy boots – tried on Ian’s newly purchased Stetson. He liked it so much he asked if he could wear it for the gig.

After sound-check there was still no sign of Axl. Nobody – not Goldstein, nor the band – seemed concerned about it. But to me it felt weird. Ever since that first time I’d met them, Guns N’ Roses looked an acted like a gang. They had that ‘us against the world’ mentality. But now Axl was on a different schedule to the others. Maybe he was just resting, as Goldstein had said. But after those rumours about Axl being kicked out of the band in Phoenix, it didn’t look good.

Just 90 minutes before GN’R were due onstage, I interviewed Izzy and Slash in a large backstage toilet-cum-shower room. Slash was revelling in the band’s phenomenal success. “It’s completely against the industry,” he said, proudly. “What this industry’s about in the ‘80s is pretty obvious – trying to polish everything up. Everything’s like techno-pop, even heavy metal stuff. We go against every standard of this industry. Even when we play live to 20,000 people, we’re like a club band. We do whatever we feel like doing. That’s just the way it is. And if people come expecting us to play hit after hit, it just ain’t gonna happen.”

On this tour, however, there were some rules that GN’R had to abide by. Aerosmith, formerly the most fucked-up band in America, were now teetotal and drug-free, and in an effort to keep them sober, their manager Tim Collins had drawn up a contract forbidding Guns N’ Roses to drink alcohol outside of their own dressing room. GN’R honoured that contract out of respect for their heroes. “The vibe between the two bands is great,” Slash smiled. “These guys have been through a lotta shit and we have a lot of respect for them. We grew up listening to their music, this and the Stones and AC/DC, that’s what sorta formed what we are. And it’s funny – they don’t do drugs, they just like to talk about them. They love to ask you about what you did last night and how fucked up you got.”

Izzy added, laughing, “You drag your ass into the gig sometimes and you see these guys and you think, Awwww, fuck! They’re eating watermelon and drinking tea and they go, ‘Man, I’ve been up since nine o’clock this morning’, and you say, ‘What drugs are you doing?’, and they say, ‘No, I just been up since nine!”

I suggested to them that few people would have believed that Guns N’ Roses would have survived 14 months of touring like they had. Izzy snorted, “They didn’t expect us to last a week! But touring really doesn’t faze you. if you get twisted backstage, the walk to the bus is only a few yards, y’know? But yeah, if you get twisted every night, you start draggin’…”

Of course, I had to ask them about Axl. I’d been around the band for 24 hours and I still hadn’t seen him. Slash was quickly on the defensive. “You gotta understand that with this bunch, excess is best and all that shit. Axl knows he has to keep from smoking or drinking or doing drugs to maintain his voice. He doesn’t hang out that much because the atmosphere that’s created by the other four members of this band is pretty, uh…”

Izzy cut in: “…Conducive to deterioration.”

“Axl just hangs out by himself,” Slash continued. “He takes it all pretty seriously. He’s doing well to maintain a certain sanity level, seeing as he can’t go out cos of his position in the band. If he was doing what we were doing, he wouldn’t be able to sing at all!”

When I mentioned the rumours about the band firing Axl in Phoenix, Slash responded like a seasoned politician. “That’s been one of the stories that’s gotten bigger than all of us,” he sighed. “And, as little as it was, it’s past tense and it’s not worth talking about cos it doesn’t relate to what’s going on now.”

We returned to the dressing room, where Steven was drinking vials of royal jelly. “Builds up cum in your balls!” he explained. Somewhat belatedly, Doug Goldstein presented a birthday cake to Slash with a message in pink icing: ‘HAPPY FUCKIN’ BIRTHDAY, YOU FUCKER’. A pack of Marlboro Reds, his preferred smoke, had been squished into the cake.

20 minutes before show time, Slash and Izzy were jamming on acoustic guitars, Steven rattling his drumsticks on the back of a chair, when, at last, Axl arrived. He barely acknowledged the other members of the band before disappearing behind a ring of flight cases arranged in corner of the room. Hidden from view, Axl went through his pre-gig warm-up ritual, singing to a loud playback of The Needle Lies, a track from Queensryche’s concept album Operation: Mindcrime. The meaning in the song’s title wasn’t lost on anyone.

Axl emerged from his den just as Aerosmith singer Steven Tyler entered the room, causing general panic as everyone with a beer in their hand tried to hide it. Tyler seemed oblivious: he just wanted to congratulate GN’R on their number one album. He hugged them all and quickly left. Axl disappeared again to change from jeans and t-shirt into his stage gear: leather chaps and codpiece, snakeskin jacket and wide-brimmed leather hat.

He looked surprised when he saw me. He walked over, his bangles and spurs jingling, and we talked for a few minutes. There was no time for a formal interview. I told him what Slash and Izzy had said about him earlier, and he seemed happy enough with that. He appeared distracted, which I attributed to him being psyched up about going on stage. But even when he broke away for Ian Tilton to take a band shot, he seemed apart from the rest of the group. The dynamic between them had changed. The isolation of Axl Rose had begun.

Guns N’ Roses were brilliant that night: the best show I ever saw them play. At times, Axl was in playful mood, swapping cowboy hats with Duff. But his focus was absolute. Aerosmith might have been the headliners on that tour, but Guns N’ Roses were the main attraction, and Axl owned that stage. Just before they’d gone on, Ian Tilton had asked Doug Goldstein if he could shoot from the side of the stage. “Not unless you want to eat a mike-stand…” Ian asked me if that was a joke. I assured him it wasn’t.

Guns N’ Roses whipped the Texan crowd into a frenzy. Standing beside me at the mixing desk in the centre of the arena was Slayer’s Tom Araya, a broken arm in a sling and a beer in his good hand. Even between songs he had to shout right in my ear, such was the noise from the crowd. It seemed ironic that Araya was there. Just 18 months earlier, I’d travelled to LA thinking Guns N’ Roses were nothing compared to Slayer. And now GN’R were on a different level altogether.

Guns N’ Roses were a phenomenon. They had the world at their feet. But their enigmatic singer was already withdrawing into a world all his own.

But then fame can mess with your head. Earlier that day at the hotel, Izzy, Slash, Duff and Steven had appeared in the lobby and were immediately mobbed by a group of pre-teen kids. Izzy smirked as he signed autographs. “Maybe they think we’re Bon Jovi,” he whispered in my ear. Seconds later, the kids all ran off. Izzy looked bemused until we realised where they’d gone – to the other side of the lobby, where they were crowded around another celebrity who had just arrived: A-Team superhero Mr. T.

If ever Guns N’ Roses required a lesson in the fickle nature of showbiz, they got it right there.

They’re presenting an image so strong that the music is almost secondary. They've presented this wild-man image. ... To a lot of kids, that's very appealing. […] It’s a major dilemma — how do you present these guys without glorifying what they do? You can only hope that they're just an outlet for their fans, that the kids can feel like they’re living vicariously through the wild actions of a Tommy Lee of Motley Crue or an Axl Rose of Guns 'n’ Roses, so they won’t feel the need to do anything nasty to themselves.